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What Cartridge Should I Use?
by James Leahy

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There are two main
cartridge types on the market today, both MM & MC.
The moving coil cartridge
seems to be able to extract those elusive refinements tucked away in the
groove of your record that elude most moving magnet designs.
Of course,
a moving coil cartridge has the disadvantage of not having a replaceable
stylus, so it is important for manufacturers to fit a good one in the
first place knowing that the customer will be less inclined to buy the
cartridge in the first place unless it is significantly better than one
with a detachable stylus. |
Whether it is a case of a good stylus
“reaching the parts that other styli cannot reach” or that a fully
integrated stylus/cantilever/coil assembly is inherently superior, a
good moving coil cartridge is certainly a worthwhile upgrade for any
vinyl enthusiast.
There are many brands of MC
cartridges on the market but I prefer the
Ortofon Jubilee
for my tastes and subsequently use one on my personal rig. I have not
found a CD player at any price able to beat the performance of this
cartridge when coupled to the necessary table and phono stage. I would urge
you to audition one today to see what it can do for your system. Check
out the
Sonic Evaluations of all the Ortofon Moving Coil range on my Ortofon
MC page.
Contrary to other types of
Phono Cartridges, the moving coil principle is not suited for mass
production. Each of the four coils contains between 11 and 24 turns of
wire, depending on model, and has to be wound by hand under
a microscope. The wire itself is much thinner than a human hair.
Think about this: if you play
records and you have a marvellous turntable, a magnificent amplifier,
great loudspeakers and a poor cartridge, the sound will only be as good
as... the cartridge. Yet a cartridge is often chosen with much less care
than the other components of a music system.
Music enthusiasts and high fidelity
connoisseurs agree: the cartridge, is the key
factor in the reproduction of music from records. After all, it makes
the first and only contact with the record. Remember, information that
is lost at this initial critical stage can NEVER be recovered further
down the audio chain. Thus, cartridge quality
determines sonic performance even before sound is amplified and played
through your loudspeakers.
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